Focusrite Saffire Pro 40 Firewire Interface BRAND NEW

Description

DJ GEAR INSTRUMENT GEAR LIVE SOUND RECORDING MICROPHONES HEADPHONES ACCESSORIES SOFTWARE LIGHTING BUNDLES Authorized Dealer – Full Warranty Focusrite Saffire Pro 40 Firewire Interface Professional 20 In / 20 Out Firewire interface with eight Focusrite Pre-amps – Brand New – Description Focusrite’s Saffire range of Firewire audio interfaces highlights the fundamental features that distinguish the sound quality of Focusrite interfaces from other to be had products in their class: precision analogue/digital conversion quality, because of the careful circuit design, multi-layer board layout and component choices, and Focusrite’s award-winning mic preamps, developed from 30 years of experience in mic pre design and created especially for our interfaces to deliver clean, transparent sound with minimal noise and distortion. Click here to be informed more about the keys to Focusrite interface superiority. Saffire interfaces offer one of the best way to get high-quality audio into and out of your DAW. They’re compatible with any DAW on Macintosh or Windows, and with the included Red 2 and Red 3 AAX plugins, make a perfect partner for Pro Tools. 20-in, 20 out Firewire interface with eight Focusrite mic pres Designed with the sophisticated project studio owner or smaller commercial facility in mind, Saffire PRO 40 features a versatile 20 inputs and 20 outputs, including a complement of eight Focusrite mic preamps guaranteed to get the best out of any microphone, with minimal noise and distortion even at high gain. Two mic/line/instrument inputs are accessed via the front panel, which also provides two independent headphone monitor outputs. 30-year heritage of acclaimed mic pre design Focusrite’s unparalleled preamp legacy forms the foundation of this versatile interface, with eight award-winning Focusrite preamps. Focusrite came into being thirty years ago in 1985 when console design legend Rupert Neve was once asked by Sir George Martin to develop new mic pres for the consoles at AIR studios. The resulting, sought-after sound has been the basis of Focusrite mic preamps ever since. Those used in our computer interface ranges are a special 2-stage design created specially for the purpose, combining low noise, high gain and exceptional headroom, allowing you to get the best out of any microphone. Precision conversion in and out Our acclaimed mic pres are combined with the very recent in interfacing technology, including precision digital conversion based on exceptional circuit design and multi-layer boards, offering the lowest conceivable latency. JetPLL™ jitter-reduction technology helps to attain the goal of pristine audio quality, coupled with excellent routing flexibility and future-proof, rock-solid stability. Meanwhile, powerful Saffire MixControl DSP-based zero-latency mixing software allows the maximum monitoring flexibility. A host of I/O options All eight main inputs feature combo XLR/TRS connectors and sense which is in use automatically. Inputs 1 and 2 appear on the front panel and make stronger mic, line and instrument operation, whilst the remaining six are on the rear panel and offer mic and line input functionality. Along with the comprehensive monitoring options described below, there are eight TRS line outputs. In addition, ADAT I/O, stereo S/PDIF I/O and two virtual ‘loopback’ inputs for routing digital audio between software applications are provided. Every mic pre features phantom power, with the first two channels also featuring -9dB pads for additional headroom. Front panel five-step LED metering for each analogue input offers accurate viewing of levels. MixControl: zero-latency DSP-powered mixing software Saffire MixControl, the ultra-low-latency 18 x 16 DSP Mixer/Router software provided with Saffire PRO 40, sets a new standard at this price point for audio interface keep an eye on. It features unparalleled output routing and monitoring, in addition to intuitive one-click options, a clear and concise mixing layout and large on-screen metering for inputs, outputs and submixes. Maximum monitoring Two independent headphone buses are provided, each with their own level controls to be had on the front panel. A dedicated stereo monitor mix TRS output features pads for improved sound quality when connected to active monitor speakers, whilst an ‘anti-thump’ circuit protects your monitor speakers from spikes when booting up or shutting down. Front panel controls include a main monitor dial with dim and mute switches, all of which fully integrate with customisable software to cover every conceivable monitoring need, providing a set of controls for any set-up from basic stereo to full 7.1 surround. Features/Specs Eight high-quality award-winning Focusrite preamps The best sounding interface in its class. Focusrite’s unparalleled preamp legacy forms the foundation of this new interface, with eight award-winning Focusrite preamps. High-quality 24-bit/96kHz FireWire interface Features top of the range A-D / D-A conversion and JetPLL jitter reduction technology; pristine audio quality and reliable synchronisation are guaranteed. Total I/O count of 20 inputs and 20 outputs A host of I/O options are provided*, including a unique ‘loopback’ facility for routing audio between software applications via Saffire MixControl. The Focusrite Plug-in Suite Upgrade your standard sequencer effects and bring a touch of class to your session with all-new Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins. Two separate headphone buses Two artists can receive independent and fully customised monitor mixes. Each output has an independent level keep an eye on to be had on the front panel. Saffire MixControl ultra-low-latency DSP mixer/router Routing flexibility and intuitive one-click set-up solutions; Saffire MixControl provides an 18 x 16 DSP mixer with excellent output routing and monitoring capabilities. Unmatched routing flexibility Saffire PRO 40 is the most flexible interface in its class, able to adapt to any recording session quickly and intuitively. The user is in a position to route any input signal or DAW output, or a mix of both, to any of the 20 outputs. Microphone Inputs Dynamic Range (A-Weighted) : 109dB SNR (A-weighted) : -109dB Frequency Response : 20Hz – 20kHz +/- 0.1 dB THD+N : 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter) Noise : EIN > 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter) Maximum level (A-weighted) : 8dBu at 1% Line Inputs Dynamic Range (A-Weighted) : 109dB SNR (A-weighted) : -109dB Frequency Response : 20Hz – 20kHz +/- 0.1dB THD+N : < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter) Noise : -90dBu (22Hz/22kHz bandpass filter) Maximum level (A-weighted) : 28.5dBu at 1% Instrument Inputs Frequency Response 20Hz-20KHz +/- 0.1dB Maximum Input Level min gain no pad +8dBu Maximum Input Level max gain no pad -42dBu THD+N, -1dBFS, min gain, no pad < 0.0015% SNR 109dB "A" DNR 109dB "A" Input Impedance > 1MOhm X-talk < -100dB Adjustable Gain > 50dB Pad Attenuation 10dB Headphone Outputs Frequency Response 20Hz-20KHz +/- 0.1dB SNR 109dB “A” DNR 109dB “A” Maximum Output into 32R +12.4dBu (+10.2dBV) Power into 32R 250mW Output Impedance < 7Ohms Load Impedance > 24Ohms Line level Outputs Dynamic Range (A-Weighted) : 108dB SNR (A-weighted) : -108dB THD+N : < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter) Maximum level (A-weighted) : 15.7dBu at 0.883% Additional Conversion Performance Clock jitter < 250 picoseconds THD+N AMPL (A-weighted)= -109dBFS CONNECTIVITY Analogue Channel Inputs (Inputs 1-8) 2 Mic/Line/Inst Combo XLR (Inputs 1 and 2) 6 Mic/Line Combo XLR (Inputs 3-8) Automatic switching of Mic / Line (e.g. inserting a jack switches from Mic to either Line or Instrument) Digital Channel Inputs (Inputs 9-18) 44.1-96kHz Stereo S/PDIF input on RCA 8 ADAT inputs on Optical Connector, reduces to 4 inputs at 88.2/96kHz • Optical input can also be switched to S/PDIF 3/4 in software preferences (Both ADATs and S/PDIF over RCA input disabled) Analogue Audio Outputs (Outputs 1-10) 8 ¼” TRS Jack (Outputs 3-10) 2 monitor mix outputs on ¼” TRS Jack (Outputs 1 and 2) Stereo headphones mix 1 on ¼” TRS (also routed to outputs 7 & 8) Stereo Headphones mix 2 on ¼” TRS (also routed to outputs 9 & 10) Digital Channel Outputs (Outputs 11-20) 44.1-96kHz Stereo S/PDIF output on RCA 8 ADAT outputs on Optical Connector, reduces to 4 outputs at 88.2/96kHz Optical output can also be switched to S/PDIF 3/4 in software preferences (ADATs disabled) Other I/O 2 6-pin FireWire sockets 2 Standard 5-pin DIN MIDI connectors: In and Out IEC mains power input connector Weight and Dims 482mm / 19" (W) x 45mm / 1.8" (H) x 265mm /10.4" (D) Compatibility Saffire Pro 40 is compatible with OS X 10.10 and above, and Windows 7 and above We are authorized dealers for most of these brands. Click a logo to see our listings. We collect NYS Sales Tax for items shipping within New York. Local duties, taxes and fees out of the us don't seem to be included in the sale price or ship charge. Proaudiostar is not responsible for any taxes outside of NY and or the us. If an item is refused by the buyer, ship costs to and from the destination in which the item was once shipped to don't seem to be refunded. Please note the price of return shipping is frequently double of what the original ship cost. Shipping is not free to HI, AK, and PR. FREE SHIPPING ONLY TO THE LOWER 48 STATES. We provide free shipping via UPS Ground to the contiguous 48 United States, on most items. Shipping fees to ALL OTHER LOCATIONS will be calculated individually and added to customer invoices. Local duties, taxes and charges don't seem to be included in the sale price or ship charges. ProAudioStar is not responsible for any taxes outside of NY and or the us. In the event that the customer refuses a shipment, all shipping costs to and from the country or State in which the item was once shipped to don't seem to be refunded. Please note, in some cases return shipping can cost as much as double the original ship cost. We operate a 30-day return period. Items should be returned with all original packaging in addition to all included items. Items that don't seem to be returned in original, resalable condition are subject to a 15% restocking fee. We charge a 15% restocking fee on returned items only if the item is clearly used and or the packaging is tarnished. A 10% re-stock is more likely if the unit comes back in mint condition. The ship cost we paid UPS to ship your item will be deducted as well. In some cases restock fees and ship costs can also be applied as a store credit. We will be able to exchange a defective unit for the same unit within the 30-day period. After that period, you'll have to work directly with the manufacturer for warranty service. Items that can not be returned include: software, units with contents or packaging that is damaged/missing, and items that are considered for personal use (such as earphones, headphones, microphones, instrument mouthpieces, harmonicas or other items that you would not wish to purchase if someone else had up to now used them). Also, Items which we don't in most cases stock (i.e. "Special Orders", discontinued products, close-outs, used products, and so forth.) are non-returnable. We strongly suggest that you check your order after receiving it to ensure that it is in proper working order. Please contact us for a Return Authorization before returning any items.

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